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A Generative Theory of Tonal Music by Fred Lerdahl, Ray Jackendoff

A Generative Theory of Tonal Music Fred Lerdahl, Ray Jackendoff ebook
ISBN: 026262107X, 9780585375885
Format: djvu
Publisher: MIT Press
Page: 372

Lerdahl & Jackendoff (1983) have specified a theory of tonal (Western) music which postulates nested, recursive dependency relationships that are modeled in analogy to linguistic syntax. Generative Theory of Tonal Music (MIT Press series on cognitive theory and mental representation). Hearing: Physiological Acoustics, Neural Coding, and Psychoacoustics by W. [6] Fred Lerdahl and Ray Jackendoff, A Generative Theory of Tonal Music (Cambridge: MIT Press, 1996 [1983]); Fred Lerdahl, Tonal Pitch Space (New York: Oxford University Press, 2001). Cambridge, MA: MIT Press, 1983. Amusia due to rhythm agnosia in a musician with left hemisphere damage: a non-auditory supramodal defect. Sep 15, 1999 pclima@ufba.br bewertung 5,0/5,0: This book is a turning point in XXth century music theory.It admits "surface salience" as an important musical attribute (chapter 5), distinguishing it from the "reductional importance" of events. Cambridge (MA): MIT Press; 1983. However, a number of features of generative This point is addressed by a novel approach to describe musical syntax, which specifies an exact, general set of recursive generative rules and casts empirical predictions (Rohrmeier, 2011). A generative theory of tonal music. A Generative Theory of Tonal Music.